Show MoreRabbit Proof Fence has been published both as a book and as a movie. Being a reader or a viewer entirely changes our point of view on the story. As a reader, we get descriptive insight on the situations and emotions of the characters. We are then able to re-create these visually using our imagination and have endless freedom doing so. As a viewer, our creativity is somewhat restricted. We do not imagine the characters’ physical appearance, the locations or the overall situations in the same way as in a book. These elements are already given to us. Throughout this essay I will be exploring how the music and the filming creates a contrast between reading the book with elaborate descriptions.
Emotions are felt entirely differently from…show more content…
What is interesting to note with the notion of time, space and distance is the fact that what appears to be a long period of time due to vivid descriptions in the book, can in fact only be a few seconds in the movie. The opposite also happens, this of course depends on the decisions of the producers on what events they want to put an accent on.
I believe that the music also creates a strong impact, as it is very intense, deep and striking throughout the movie. Nevertheless, at the end when Molly and Daisy see their families again, the music is blissful, yet dramatic, to emphasise the deep down satisfaction they all are feeling. Furthermore the way this last scene is filmed I found brilliant. The girls are filmed from a wide perspective, running towards their families in slow motion. The slow motion stresses the importance of a moment in time. It enables the viewer to have the time to try to feel as if they are a part of the movie and the occurring scene. Additionally, in this scene, the girls are portrayed as silhouettes. Silhouettes generate a dramatic effect. Usually they can be seen as being romantic; in this case it is to represent the love in the family being an important thriving point. In the book the reunite is no way near as emotionally stirring, and is entirely different. There is no recollection of this intense moment. As it is in my opinion a crucial moment in the story after a build-up
In The Film Rabbit Proof Fence, We, As The Viewer, Are Positioned To See Mr Neville As A Mostly Unsympathetic Character. How Has The Director, Phillip Noyce Used Various Techniques To Achieve This?
In the film "Rabbit Proof Fence", the character A.O. Neville is portrayed as a mostly unsympathetic character. The director, Phillip Noyce used the technique of camera angles to develop Neville's character as very authoritative and controlling of the other characters in the movie. The soundtrack, particularly the sound effects, are also used to develop Neville's character. He is shown to be very isolated from the suffering of Aborigines and only concerned for rules and regulations. The lighting and colour in both his office (where he is seen most of the time) and whilst making a presentation, are used in the film to demonstrate Neville's attitudes and beliefs. Finally, the editing of scenes contrasts Neville's actions and orders with those that he affects, creating a controlling, heartless character. However, despite all of this, he is not entirely unsympathetic. Neville believes that he is doing the right thing for the Aboriginal people. He is well-meaning and simply doesn't understand. It is the way he acts upon these beliefs that make him an unsympathetic character.
Noyce makes Neville appear very powerful and authoritative through his use of close-up and tilted-up camera angles. In the scenes where the viewers are introduced to Neville, he is shown sitting at his desk, going over paperwork with a very stern expression on his face. The camera is tilted up towards him, giving and impression of being very tall and imposing. As he reads through papers in a very serious manner, the camera is a very close to his face. His face fills the screen as he reads, making him appear very officious and dominating. Through these shots, the viewer is positioned to see Neville as a very harsh, cold and controlling person.
Furthermore, at the Moore River settlement, Neville is depicted checking the colour of the skin of the half-caste children to see if they are 'worthy' to attend school and live in white society. When Molly is called, the camera shows Neville from her point of view, and he appears to tower menacingly over her. From the viewpoint of a child, Neville is a very powerful and threatening. By seeing Neville from this angle, the viewers feels compassion for Molly as she faces Neville, and in turn see Neville as a cruel and oppressive character.
The sound effects in the movie develop Neville's character as authoritative and bureaucratic. When finalising paperwork to authorise the removal of the three children Molly, Daisy and Gracie, he stamps the paper. The loud thud of the stamp brings a sense of officiousness and finality. Concerned only with rules, money and bureaucracy, the viewer perceive Neville's character as cold, emotionless and unlikeable.
Before being introduced to Neville, the viewer is first shown the streets of Perth, where Neville's Office is located. Completely...
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