The Bluest Eye Toni Morrison
(Born Chloe Anthony Wofford) American novelist, nonfiction writer, essayist, playwright, and children's writer.
The following entry presents criticism on Morrison's novel The Bluest Eye (1970) through 2000. For further information on her life and complete works, see CLC, Volumes 4, 10, 22, 87, and 194.
Morrison's first novel, The Bluest Eye, examines the tragic effects of imposing white, middle-class American ideals of beauty on the developing female identity of a young African American girl during the early 1940s. Inspired by a conversation Morrison once had with an elementary school classmate who wished for blue eyes, the novel poignantly shows the psychological devastation of a young black girl, Pecola Breedlove, who searches for love and acceptance in a world that denies and devalues people of her own race. As her mental state slowly unravels, Pecola hopelessly longs to possess the conventional American standards of feminine beauty—namely, white skin, blonde hair, and blue eyes—as presented to her by the popular icons and traditions of white culture. Written as a fragmented narrative from multiple perspectives and with significant typographical deviations, The Bluest Eye juxtaposes passages from the Dick-and-Jane grammar school primer with memories and stories of Pecola's life alternately told in retrospect by one of Pecola's now-grown childhood friends and by an omniscient narrator. Published in the midst of the Black Arts movement that flourished during the late 1960s and early 1970s, The Bluest Eye has attracted considerable attention from literary critics—though not to the same degree as Morrison's later works. With its sensitive portrait of African American female identity and its astute critique of the internalized racism bred by American cultural definitions of beauty, The Bluest Eye has been widely seen as a literary watershed, inspiring a proliferation of literature written by African American women about their identity and experience as women of color.
Plot and Major Characters
Ignoring strict narrative chronology, The Bluest Eye opens with three excerpts from the common 1940s American elementary school primer that features the All-American, white family of Mother, Father, Dick, and Jane. The first excerpt is a faithful reproduction, the second lacks all capitalization and punctuation marks, and the third dissolves into linguistic chaos by abandoning its spacing and alignment. This section is interrupted by an italicized fragment representing the memories of Claudia MacTeer, the principal narrator of The Bluest Eye. As an adult, Claudia recalls incidents from late 1941 when she was nine years old living in Lorain, Ohio, with her poor but loving parents and her ten-year-old sister, Frieda. Claudia's friend, Pecola Breedlove, is an emotionally impaired African American girl who comes from a broken home. The rest of The Bluest Eye divides into four separate time sequences, each named for a season of the year and each narrated by Claudia. Interspersed throughout the text are fragments in the voice of an omniscient narrator that discuss Pecola's obsessive desire for blue eyes and her parents, Pauline and Cholly; each fragment is introduced with different lines from the Dick-and-Jane primer. In “Autumn,” Claudia begins her narrative as the MacTeers take in a boarder, Mr. Henry Washington. At the same time, Pecola comes to live with the MacTeer family after Cholly burns down his family's house. Recounting their typical girlhood adventures, Claudia particularly remembers the onset of Pecola's first menses. The omniscient narrator intermittently interrupts with descriptions of the Breedlove's household, noting how the parents are unable to hide the violence of their relationship in the presence of Pecola and her brother Sammy. In the midst of the hostilities, Pecola constantly prays for blue eyes, believing that if she only had blue eyes, life would be better. In “Winter,” Claudia recalls the arrival at school of Maureen Peale, a lighter-skinned, wealthy black girl with green eyes whom the girls both hate and admire. When a group of boys harasses Pecola, Maureen temporarily befriends Pecola, but eventually turns on her, calling the darker-skinned and deeply hurt Pecola “ugly.” The omniscient narrator again interrupts and describes an incident involving Pecola and Geraldine, a socially mobile middle-class African American woman who loves her blue-eyed cat more than she loves her own son, Louis Junior. When Pecola is wrongly blamed for the cat's death, Geraldine quietly calls her a “nasty little black bitch.” Claudia opens the “Spring” sequence of The Bluest Eye with disparate memories about Henry Washington fondling Frieda's breasts, his subsequent beating and eviction by Mr. MacTeer, and a visit to Pecola's apartment. The omniscient narrator's descriptions of Pauline and Cholly's history predominate the rest of this section. The narrator relates events from Pauline's early life, her marriage, and how she became a maid for an affluent, white family. The narrator next recounts Cholly's traumatic childhood and adolescence. Abandoned almost at birth, he is rescued by his beloved Aunt Jimmy, who later dies when he is sixteen. After her burial, Cholly is humiliated by two white hunters who interrupt his first sexual encounter with a girl named Darlene. He flees to Macon, Georgia, in search of his father who is miserably mean and wants nothing to do with his son. Crushed by this encounter, Cholly eventually meets and marries Pauline and fathers her children. Years later, in Lorain, a drunken Cholly staggers into his kitchen, and overcome with lust, brutally rapes and impregnates Pecola. “Spring” concludes with a story about Soaphead Church, a self-proclaimed psychic and mystic, who counsels an unattractive black girl who wishes she had blue eyes. In “Summer,” Claudia resumes her narration, recalling how the gossip spreads regarding Pecola being pregnant with Cholly's baby. Near the end of the novel, Pecola finally narrates a story about her conversation with an imaginary companion concerning her new blue eyes and whether they are “the bluest eyes” in the world. In the last section of The Bluest Eye Claudia remembers meeting Pecola after Cholly's baby is delivered stillborn and accounts for the whereabouts of Sammy, Cholly, and Pauline.
In The Bluest Eye, the opening excerpt from the Dick-and-Jane primer juxtaposed with the experiences of African American characters immediately sets the tone for Morrison's examination of a young black girl's growing self-hatred: American society tells Pecola happy, white, middle-class families are better than hopeless, black, working-class families. Victimized in different degrees by media messages—from movies and books to advertising and merchandise—that degrade their appearance, nearly every black character in the novel—both male and female—internalizes a desire for the white cultural standard of beauty. This desire is especially strong in Pecola, who believes that blue eyes will make her beautiful and lovable. At the same time, every African American character hates in various degrees anything associated with their own race, blindly accepting the media-sponsored belief that they are ugly and unlovable, particularly in the appalling absence of black cultural standards of beauty. In a sense, Pecola becomes the African American community's scapegoat for its own fears and feelings of unworthiness. Unlike Claudia, who possesses the love of her family, Pecola has learned from her appearance-conscious parents to devalue herself. She endures rejection by others who also value “appearances” and who ultimately share the same symptoms that characterize Pecola's insanity. Besides exposing the inherent racism of the American standard of beauty, The Bluest Eye also examines child abuse in terms of the violence that some African American parents subconsciously inflict on their children by forcing them to weigh their self-worth against white cultural standards. Cholly's rape of Pecola in effect culminates the psychological, social, and personal depreciation by white society that has raped Cholly his entire life. As his surname implies, Cholly can only breed, not love, and his brutal act against his daughter produces a child who cannot live. Finally, Pecola's longing for blue eyes speaks to the connection between how one is seen and how one sees. Pecola believes that if she had beautiful eyes, people would not be able to torment her mind or body. Her wish for blue eyes rather than lighter skin transcends racism, with its suggestion that Pecola wants to see things differently as much as to be seen differently, but the price for Pecola's wish ultimately is her sanity, as she loses sight of both herself and the world she inhabits.
Regarded by modern literary critics as perhaps one of the first contemporary female bildungsroman, or coming-of-age narratives, The Bluest Eye initially received modest reviews upon its publication in 1970. Commentators later claimed that they neglected the work because Morrison was unknown at the time. Since then, however, The Bluest Eye has become a classroom staple, and scholarship on the novel has flourished from a number of perspectives. A recurring discussion has focused on the novel's ability to replicate African American vernacular patterns and musical rhythms. Many critics have approached the novel in the context of the rise of African American writers, assigning significance to their revision of American history with their own cultural materials and folk traditions. Others have considered the ways The Bluest Eye alludes to earlier black writings in order to express the traditionally silenced female point of view and uses conventional grotesque imagery as a vehicle for social protest. Scholars also have been attracted to The Bluest Eye by its deconstruction of “whiteness” along racial, gender, and economic lines, while feminists have equated the violence of the narrative with self-hatred wrought by a wide range of illusions about white American society and African American women's place in it. In addition, some have examined the influence of environment on the novel's characters, identifying stylistic affinities with literary naturalism. Others have offered Marxist interpretations of the novel's formal aspects in terms of the ideological content of its representation of African American life. Acknowledging Morrison's achievement in the novel, critics have generally acclaimed The Bluest Eye for deconstructing a number of literary taboos with its honest portrayals of American girlhood, its frank descriptions of intraracial racism or “colorism” in the African American community, and its thoughtful treatment of the emotional precocity of prepubescent girls.
Below you will find five outstanding thesis statements / paper topics on “The Bluest Eye” by Toni Morrison that can be used as essay starters. All five incorporate at least one of the themes found in “The Bluest Eye” and are broad enough so that it will be easy to find textual support, yet narrow enough to provide a focused clear thesis statement. These thesis statements for “The Bluest Eye” offer a summary of different elements that could be important in an essay but you are free to add your own analysis and understanding of the plot or themes to them. Using the essay topics below in conjunction with the list of important quotes from “The Bluest Eye” by Toni Morrison at the bottom of the page, you should have no trouble connecting with the text and writing an excellent paper.
Thesis Statement / Essay Topic #1: The Roles of Fantasies in The Bluest Eye
The backdrop of The Bluest Eye is, on a macro level, the Great Depression, and on a micro level, a Midwestern neighborhood that is rather non-descript. Clearly, the desire to escape poverty and the limiting circumstances of their social conditions is a common feeling among the characters in the novel. Several characters in Toni Morrison's novel, “The Bluest Eye” construct and perpetuate fantasies or beliefs about transcending their circumstances. For Pecola, a belief that if she had blue eyes she would have an ideal life guides her; for Pecola’s mother, movies provide that same hope and escape. Compare and contrast the roles that these fantasies play for both mother and daughter in “The Bluest Eye”. You may also wish to argue whether these fantasies are adaptive or whether they are unhealthy. Should you choose to do this, substantiate your argument with carefully selected quotes from the novel.Thesis Statement / Essay Topic #2: Self-Denial and Self-Hatred in “The Bluest Eye” by Toni Morrison
Many critics observe that Pecola’s wish for blue eyes is a form of self-denial and self-hatred. This claim seems to be substantiated by Pecola’s fate and the condition in which the reader encounters her at the novel’s conclusion. Consider whether you agree with this claim. If you do agree with this claim, write a persuasive essay on “The Bluest Eye” in which you state what you believe the author wished to convey to her reader by exploring the dynamics of self-denial and self-hatred. If you do not agree with the claim, write an argumentative essay on “The Bluest Eye” in which you explain Pecola’s fate relative to the self-denial/self-hatred claim.
Thesis Statement / Essay Topic #3: Claudia McTeer as Pecola’s Foil in “The Bluest Eye” by Toni Morrison
Pecola is a character whose circumstances and fate are disturbing and even depressing to the reader. Yet Pecola’s character is contrasted by the character of Claudia McTeer, who serves as an alternative model of development for young black women. Write an explanatory essay in which you identify the significance of Claudia’s role in the text. Explain how Claudia serves as Pecola’s foil, and determine what her fate, relative to that of Pecola, signifies in the final analysis of “The Bluest Eye”. You may also wish to discuss how the novel would be different had Claudia’s character not been included.
Thesis Statement / Essay Topic #4 The Failures of Adults in “The Bluest Eye”
The Bluest Eye privileges the child characters with narrative authority. In addition to the influence of the children’s perspective on the reader’s interpretation of the adults’ roles in the novel, the reader also makes inferences and conclusions about the adults based on their actions. Consider the various failures of the adult characters in this novel: moral failures, the failure to parent well, and the failure to negotiate life successfully, to name just a few. You may choose to analyze only one character and his or her failures, or write a comparative analysis of several characters, but in any case, build an essay in which you posit reasons for the failures of adults to protect children and to offer hope to the next generation.
Thesis Statement/Essay Topic #5: Defining Beauty
In one way or another, almost all of the characters are preoccupied with defining what beauty is. Not all of the characters are aware that this is their preoccupation, however. Examine one or more passages in which a character or the narrator addresses the notion of beauty directly, and determine what the “take-away" message about beauty might be. Consider whether there are competing or complementary notions of beauty that Morrison offers. Pay close attention to the matter of how the characters come to their understanding of beauty. Finally, address whether notions of beauty evolve, either positively or negatively, as a result of the experiences that the characters have over the course of the novel.
* For themes and possible thesis statements that intersect with ideas from the same author, check the PaperStarter entries for other works by Toni Morrison, including “Sula” and “Beloved” *
This list of important quotations from “The Bluest Eye” by Toni Morrison will help you work with the essay topics and thesis statements above by allowing you to support your claims. All of the important quotes from “The Bluest Eye” listed here correspond, at least in some way, to the paper topics above and by themselves can give you great ideas for an essay by offering quotes and explanations about other themes, symbols, imagery, and motifs than those already mentioned and explained. Aside from the thesis statements above, these quotes alone can act as essay questions or study questions as they are all relevant to the text in an important way. All quotes from “The Bluest Eye” contain page numbers as well. Look at the bottom of the page to identify which edition of the novel they are referring to.
“We stare at her, … wanting to poke the arrogance out of her eyes and smash the pride of ownership that curls her chewing mouth. When she comes out of the car we will beat her up, make red marks on her white skin, and she will cry…. " (9)
“Adults do not talk to us—they give us directions. They issue orders without providing information. When we trip and fall down they glance at us; if we cut or bruise ourselves they ask us are we crazy. When we catch colds, they shake their heads in disgust at our lack of consideration." (11)
“The big, the special, the loving gift was always a big, blue-eyed Baby Doll….[A]ll the world had agreed that a blue-eyed, yellow-haired, pink-skinned doll was what every girl child treasured." (19-20).
“Had any adult with the power to fulfill my desires taken me seriously and asked me what I wanted, they would have known that I did not want to have anything to own, or to possess any object. I wanted rather to feel something…." (21-22)
“I destroyed white baby dolls….The truly horrifying thing was the transference of the same impulses to little white girls." (22)
“[S]he went to the movies…. There in the dark her memory was refreshed and she succumbed to her earlier dreams." (122)
“Along with the idea of romantic love, she was introduced to another—physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." (122)
“She was never able, after her education in the movies, to look at a face and not assign it some category in the scale of absolute beauty…." (122)
“‘The onliest time I be happy seem like when I was in the picture show. Every time I got, I went….Them pictures gave me a lot of pleasure, but it made coming home hard…." (123)
“It had occurred to Pecola some time ago that if her eyes, those eyes that held the pictures, and knew the sights—if those eyes of hers were different, that is to say, beautiful, she herself would be different." (38)
Reference: Morrison, Toni. The Bluest Eye. New York: Plume, 1994.